Graphic Design & Art Direction
Forensic Architecture:
Design as Investigation, Röhsska Museum of Art and Craft, Gotëborg, Sweden, Jan 2020.
Exhibition design and identity for multi disciplinary research group Forensic Architecture. Custom typeface, Tarpaulin,
concrete and steel signage. Publication: B5, 44pp. Curated by Johan Deurell. VV
Franz West, Tate Modern, Feb, 2018. Exhibition design and identity, large scale wall graphics, A2 poster, A3–A6 folded leaflet and customised typeface. Curated by Mark Godfrey and Monica Bayer-Wermuth.
Steven Campbell: Love, Tramway Gallery, Glasgow, Jan 2018. Publication and A2 poster. 115 × 160mm, 116pp book, edition of 500. Custom typeface revival, Grasset. Published by Young Team designed with Varv Varv. Curated by Linsey Young. VV
Turner Prize, Tate Britain, Sep 2018. Exhibition design, campaign materials and catalogue. 125 × 210mm, 128pp. Nominated artists: Forensic Architecture, Naeem Mohaiemen, Charlotte Prodger* and Luke Willis Thompson. Curated by Linsey Young and Elsa Coustou.
Dying Marxists, Quenton Miller, Athens Biennale, 2018. Publication and printed media and publicity material. Documentation of the Dying Marxists Faction Dinner. Posters, smalls advertisements and booklet. 145 × 235mm, 44pp 2way flipbook, +8pp gatefold cover. VV
Jerwood / Photoworks Awards, Jerwood space, London, Jan 2020. Exhibition catalogue, digital media and exhibition design direction of the annual awards exhibition at the Jerwood space gallery, featuring artists Silvia Rosi and Theo Simpson. Catalogue, 176 × 250mm, with A3–A5 folded cover, 36pp, 2 way flipbook. Curated by Shoair Mavlian. VV
Tate Film Programs, Tate Modern / Britain 2017–18. Various printed materials, formats, wax rubbings, spot colours, offset. Produced with Carly Whitefield and Linsey Young. Featuring artists: Bruce and Norman Yonemoto, Superflex, Babette Mangolte, Jack Self, Tropocalia, Andy Holden, Karrabing Collective, Lawrence Lek, Ana Mendieta, Holly White, Sue Tompkins and Tony Conrad.
There, where we promenade, Freelands Foundation, Jan 2020. Publication and entrance identity. Featuring artists: Etel Adnan, Susan Aldworth, Rachel Kneebone and Leonor Serrano Rivas. The exhibition explores the pedagogy of sleep as an active site for cataloguing memory. Looking at unconscious dream states, modes of knowledge negotiated through art, science and the imagination. Publication: 125 × 200mm, 80pp book. Curated by Catriona Whiteford. VV
Confessions of a Drone, republication of; The Pocket Library of Socialism, by Joseph Medill Patterson, (1879–1946). 2pp, 80gsm, 1/1. Edition of 500. Produced for the occasion of Offprint Publishing Fair, Tate Modern, May, 2018. VV
Wolfgang Tillmans, 2017, Tate Modern, 2017. Exhibition design, posters, marketing campaign, gallery guide, wall texts, on-site advertising and exhibition graphics. Co-curated by Chris Dercon and Helen Sainsbury.
Lists: Found Handwritten Ephemera 07–2017, May 2017.
An archival collection of found material amassed over a period of 10 years. The content acts as a catalogue of discarded messages, without the intent of ever being revisited, bringing parallels to the study of graphology and hand writing analysis. 155 × 233mm, 390pp book, Self published.
Shape of Light: 100 Years of Photography & Abstract Art. Tate Modern, May 2018. Exhibition identity, graphics, marketing campaign, galley guide and posters. Artwork: Antony Carins, Maya Rochat and Daisuke Yokota. Curated by Simon Baker, Shoair Mavlian and Sarah Allen.
English & Korean print versions.
